Mike Vargo
There is nothing in theater quite like an evening of one-acts. If the plays are right you get a greatest-hits effect, a sampling of tightly honed short pieces in different styles and moods. That’s what the Pittsburgh Pride Theater Festival is going for with this year’s offering: two comedies plus two dramas, all of them…
If you enjoy plays that eve the spirits of bygone ages and stages, then PICT Classic Theatre—formerly Pittsburgh Irish and Classical Theatre—is the company for you. Although PICT does some contemporary pieces, it specializes in throwbacks, the many works that either were written or are set in the years before the Internet. The group’s 2014…
It’s not easy to do wacky physical comedy about a dead-serious subject. And when the time comes for theater reviewers to give informal recognition for Best This and That of the current season, Quantum Theatre’s Pantagleize will be on my list for several awards. One would be Best High Five Seen Anywhere. If you are…
How good a play is Tribes? To answer properly, I’d have to be all thumbs. Then I could give it ten thumbs up. Or nine, anyway. Maybe it falls a bit short of perfection. The point is that multiples and superlatives are needed to describe this play by Nina Raine, currently at City Theatre, because…
Any time is a good time to visit the Carnegie Museum of Art, but now is a great time.
One of the oldest themes in drama is the downfall of a great family. In such ancient Greek plays as the Oresteian Trilogy, or in Shakespeare’s King Lear, it is a royal family that comes to grief. In J.T. Rogers’s Madagascar—now being performed by Quantum Theatre—we follow the misfortunes of an upper-class American family, members…
It’s the movie that launched a thousand opinions. Out of the Furnace has proved such a range of reactions, both nationally and locally, that the buzz wars have come close to upstaging the movie itself. Is it a Best Picture candidate that offers a rare kind of cinematic storytelling or just a conventional story kept…
In this play, before the action begins or a word is spen, fog rolls in silently. Pittsburgh Irish and Classical Theatre has turned on the fog machine, which serves as a way-back machine. As mists envelop the still-dark stage, it is a sign that we are going back in time. The Crucifer of Blood opens…
If you have never seen True West, I will try to tell you what you’ve been missing. It won’t be easy. This play by Sam Shepard, now at Pittsburgh Public Theater, is sneaky simple. The basic story is so simple that anybody who watches sitcoms can get a hoot out of it. We begin with…
Vanya and Sonia and Masha and Spike, now at City Theatre, is the 2013 Tony Award winner for Best Play. Yet I’ve talked to people who are hesitant to see it, due to what one friend called “the Chekhov factor.” Allow me to ease their concerns. The play, written by Christopher Durang, is an over-the-top comedy. And…
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